---
name: location-scout-brief
description: "Writes a structured brief for filming a specific location, covering visual and narrative requirements, logistics, permissions, and contingency planning."
status: stable
category: tv-documentary
subcategory: pre-production
version: 1.1
eval_score: 4.54
tags: [documentary, pre-production, locations, production, scouting]
---
# Location Scout Brief

## What This Skill Does
Writes a structured brief for filming a specific location, covering visual and narrative requirements, logistics, permissions, and contingency planning.

## When To Use This Skill
- You need to brief a location scout or line producer on what you need from a specific filming location
- You are visiting a location yourself and want a checklist of what to assess and document
- You are requesting permissions from a location owner or government authority and need to articulate exactly what filming will involve
- You are planning a filming day and want to anticipate logistical challenges before arriving on location

## What You Need To Provide
**Required:** The location (type and approximate geography); the scenes or sequences you intend to film there; the film or story context
**Optional:** The crew size; the intended shooting style (observational, interview, aerial, reconstruction); specific equipment (large lights, cranes, drones); seasonal or time-of-day requirements; any known sensitivities (active business, private land, protected site)

## How the Assistant Approaches This
1. Establishes the narrative function of the location — what story work it needs to do — so every logistical decision is anchored to a creative purpose
2. Specifies visual requirements: light conditions, angles, background elements, clearance needs (unwanted signage, bystanders, competing sound)
3. Maps the practical logistics: access, permission pathways, parking and crew staging, power supply, time constraints
4. Identifies contingency requirements: weather alternatives, backup dates, and fallback approaches if the primary visual or access plan fails
5. Produces a numbered Site Visit Checklist (covering visual/framing, light and sound, access and logistics, permissions and risk, continuity and recovery), tailored with at least 3 location-specific items, that the scout can walk through on site without further interpretation

## Output Format
Structured brief, 700–950 words. Sections: Location Function (narrative role), Visual Requirements, Logistics and Access, Permissions and Clearances, Potential Problems and Contingencies, and a Site Visit Checklist (numbered, actionable items the scout walks through on location). Practical, production-standard language — suitable for handing to a line producer or location manager.

## Site Visit Checklist
Each brief MUST include a Site Visit Checklist — a numbered list the scout, director, or line producer can walk through on location with a phone and a tape measure. Items should be physically verifiable on site rather than abstractly described. Use this template, tailored to the specific location and production:

**Visual and framing**
1. Identify and photograph 3–5 candidate camera positions for the priority shot in this location. Note compass orientation and time of day for each.
2. Measure or pace key dimensions (room length, ceiling height, distance from camera to subject) and note in the scouting log.
3. Photograph the location at the same time of day the production intends to film. If the shoot day's time-of-day cannot be matched, photograph at the closest practical hour and note the offset.
4. Note all background elements that would appear in frame: signage, logos, third-party branding, identifiable people, and decide which require clearance, removal, or shot reframing.
5. Identify and photograph at least one fallback framing for each priority shot in case the primary angle is blocked on the day.

**Light and sound**
6. Measure or estimate ambient light levels at intended shooting hours (use a light meter or smartphone app). Note direction, color temperature, and consistency.
7. Identify all sources of artificial light that will affect the shot and confirm whether they can be controlled (turned on/off, dimmed, gelled).
8. Listen for ambient and intermittent sound for at least 5 minutes per priority space: HVAC, traffic, planes, public-address systems, scheduled events, neighboring construction. Record a 60-second wild-track sample.
9. Identify the quietest and noisiest hours of the location's daily and weekly cycle from the property contact.

**Access and logistics**
10. Walk the route from the nearest crew parking to the filming position. Time it carrying typical equipment cases. Photograph any stairs, narrow doorways, locked doors, or elevators that affect equipment movement.
11. Confirm crew vehicle parking — number of spaces, time limits, permits required, and any nearby alternatives.
12. Identify the nearest mains power outlets and confirm whether they are live, the circuit capacity, and whether the property contact will permit their use. If filming relies on battery power, identify a battery-charging space within walking distance.
13. Identify a holding area or green room for crew, talent, and waiting subjects — heated/cooled, with restroom access.
14. Identify and photograph the nearest restrooms accessible to the production.
15. Identify a sheltered fallback location within 5 minutes' walk for outdoor shoots that may need to relocate due to weather.

**Permissions and risk**
16. Confirm in writing the name of the location agreement signatory and obtain their direct contact (email + phone).
17. Confirm whether the property has an existing risk assessment, fire safety plan, and evacuation route the production must follow.
18. Identify any restricted or off-limits areas inside the location and photograph them so the crew can be briefed before arrival.
19. Confirm the security or supervision arrangement during filming — will a property representative be on site? Is one required?
20. Confirm the curfew or end-of-day cutoff and any condition that would trigger early termination of access.

**Continuity and recovery**
21. Photograph the location's "neutral" state at the start of the scout (before any equipment is moved) so the production can return it to that state at wrap.
22. Identify the location's nearest hospital, urgent care, and 24-hour pharmacy. Add to the production's emergency information sheet.
23. Confirm cellular coverage (which carriers work, which do not). Identify the nearest landline or reliable Wi-Fi if cellular is unreliable.
24. Photograph a documentation set for the production schedule annex: exterior approach, all entry points used, every filmed space, every staging area.
25. Note in the scouting log: "If only one piece of equipment can be brought, it is X" — this captures the location's most production-critical attribute.

The checklist should be tailored to the specific location — items 1–25 are the standard set, but production type (observational vs. interview vs. drone), location type (decommissioned industrial site vs. operating business vs. private home), and risk profile (heritage protection, hazardous materials, active operations) will add specific items. The brief should add at least 3 location-specific checklist items beyond the standard 25.

## Quality Criteria
- [ ] Narrative function section clearly states what the location needs to achieve in the film
- [ ] Visual requirements are specific — light direction, background elements, minimum clear space — not generic ("needs to look good")
- [ ] Logistics section addresses all standard production planning requirements: access, staging, power, sound environment
- [ ] Permissions section identifies the correct authority to approach and the type of permission required
- [ ] Contingency section anticipates at least two specific failure modes with practical alternatives
- [ ] Site Visit Checklist is numbered, action-verb led, and physically verifiable on location — not abstract guidance
- [ ] Site Visit Checklist includes at least 3 items specific to this location and production type, beyond the standard set

## Example

### Input
Location: A decommissioned coal-fired power station on the edge of a mid-size industrial city. The production has been granted provisional access but needs to formally notify the property management company about filming requirements.
Scenes: Establishing shots of the exterior; observational walk-through with a former plant engineer (the film's main subject); one sit-down interview inside the turbine hall
Film context: Feature documentary about the energy transition and the communities built around fossil fuel industries
Crew: Director, two camera operators, sound recordist, production coordinator. No large lighting rigs; natural light preferred.
Shooting style: Observational and interview

### Output

**Location Scout Brief — Decommissioned Coal Power Station**
*Documentary: Energy Transition Feature Film*

---

**Location Function**

This location serves three narrative purposes: (1) establishing the industrial scale of what is being lost — its visual mass is the physical argument for the community's sense of displacement; (2) giving the main subject, a former plant engineer, a concrete environment in which his expertise and memory can be activated through space rather than just words; (3) providing the visual contrast at the film's emotional center — a working environment that no longer works.

---

**Visual Requirements**

- **Exterior:** Morning or late afternoon light to give the cooling towers and chimney stacks maximum texture and shadow depth. Avoid direct overhead midday light, which flattens industrial structures. If possible, a low angle from the access road to maximize the station's apparent scale against the skyline.
- **Walk-through:** The turbine hall and control room are the priority interior spaces. Look for surfaces that retain evidence of use — wear patterns on floors, residue marks, faded labels — rather than cleaned or repainted sections. The subject should be filmed moving through the space, not staged in it.
- **Interview:** The turbine hall is the preferred interview location: the machinery as background creates the visual argument without a cutaway. Identify a section where background clutter is manageable and where ambient sound can be controlled. Natural light from high windows is preferable to artificial light; assess the direction and intensity during the scout visit.
- **Sound environment:** Industrial sites often have residual sounds — wind through open structures, metal expansion, HVAC if any systems remain active. The sound recordist must assess whether these are usable texture or problematic interference.

---

**Logistics and Access**

- Access is provisional; a formal location agreement with the property management company (confirm company name and signatory) is required before any filming
- Site has multiple access points; confirm with property management which entrance is cleared for production vehicles and whether there is on-site parking for a 6-person crew plus equipment vehicles
- Power: assume no mains power on site. All battery-powered equipment. Confirm with property management whether any circuits are live before sending crew into the building
- Time constraint: confirm whether the site has a security curfew or patrol schedule that limits filming hours
- Health and safety: a decommissioned industrial site requires a site safety assessment before crew entry. Confirm whether the property management company requires the production to submit its own risk assessment or if they have a site access protocol

---

**Permissions and Clearances**

- Primary permission: property management company — written location agreement, confirmed insurance coverage for public liability
- If any filming involves aerial (drone) work: check Civil Aviation Authority (or equivalent national authority) regulations for filming over industrial sites and confirm site falls within permitted airspace
- Confirm whether any areas of the site are under heritage protection or listed status, which may restrict what can be moved, altered, or filmed
- Model releases: if any current site staff, security personnel, or contractors are visible in footage, obtain signed releases

---

**Potential Problems and Contingencies**

**Problem 1 — Access revoked or delayed:** Property management companies sometimes add conditions after provisional agreement. Contingency: identify a second industrial or post-industrial location within the same region that can serve the narrative function — a redundant power station, a decommissioned factory, or a mine surface works.

**Problem 2 — Interior light insufficient for observational filming:** High windows in turbine halls can provide dramatic but unpredictable light. If natural light is inadequate on the filming day, the interview and walk-through may need to be relocated to an exterior courtyard or structured around a bright overcast day. Assess light levels at the scout visit at the same time of day as the intended filming call.

**Problem 3 — Structural safety assessment restricts access to key areas:** Heritage or decommissioned industrial sites sometimes limit access to specific zones. Identify early which areas are unrestricted and plan the filming sequences around confirmed access rather than assumed access.

---

**Site Visit Checklist — Decommissioned Coal Power Station**

*Visual and framing*
1. Photograph 3–5 candidate camera positions for the establishing exterior shot of the cooling towers. Note compass orientation; the priority is morning sun behind camera left for shadow depth on the towers.
2. Measure the turbine hall: length, ceiling height, distance from likely camera position to interview chair. Note column spacing for sightline planning.
3. Visit the site at the same hour as the intended filming call (early morning or late afternoon) to confirm the light direction matches the planned visual approach.
4. Photograph all corporate signage, safety placards, and third-party logos still on site; flag any that would need removal, masking, or reframing for editorial neutrality.
5. Identify a fallback framing for the interview if the primary turbine hall position is unsafe or unavailable on the day — a corner of the control room or a section of catwalk with workable backdrop.

*Light and sound*
6. Take light meter readings at the interview position at the same time of day as the shoot, in both turbine hall and control room. Note minimum reading vs. recommended exposure for the chosen camera.
7. Identify whether any high-window light sources can be diffused, blocked, or supplemented; note any windows that have been boarded or broken.
8. Sit silently in the turbine hall for 5 minutes at the intended shoot hour. Log every audible sound: wind through structures, metal expansion/contraction, residual HVAC, distant traffic, birds nesting in the rafters. Record a 60-second wild track.
9. Ask the property contact when the site is at its quietest — likely early morning before the security patrol shift; confirm whether filming during the patrol pass would be disruptive.

*Access and logistics*
10. Walk the route from the cleared production-vehicle entrance to the turbine hall. Time it carrying a 60-pound case. Photograph any locked doors, narrow passages, or stairs affecting equipment movement.
11. Confirm crew parking: number of spaces, position, lockable, and whether the access road is wide enough for the production vehicle.
12. Confirm there is no live mains power. Identify a charging station off-site (the production company office or hotel) and plan battery rotation accordingly.
13. Identify a heated holding area for crew (the property management office's portable cabin if available; otherwise the production vehicle).
14. Confirm the nearest functioning restroom — likely off-site at the property management gatehouse; brief the crew on the walk distance.
15. Identify a covered fallback for the exterior shots if heavy rain forecasts materialize on shoot day (the gatehouse cover or a nearby industrial lobby).

*Permissions and risk*
16. Obtain in writing the name and direct contact of the property management signatory authorized to sign the location agreement. Confirm response time for last-minute changes.
17. Request a copy of the property's existing risk assessment for filming and confirm whether the production must submit its own.
18. Photograph the boundaries of any restricted zones (asbestos abatement areas, structurally unsound floors, energized equipment if any survives). Confirm in writing what the boundaries are.
19. Confirm whether a property representative or security officer must be on site during filming, and whether their time is billable to the production.
20. Confirm the access end-time (typical for decommissioned industrial: dusk or earlier per insurance terms).

*Continuity and recovery*
21. Photograph the turbine hall in its current state before any equipment is moved; this is the wrap-state reference image.
22. Note the nearest hospital and 24-hour pharmacy; both are typically 10–15 minutes from suburban industrial sites — confirm and add to the call sheet.
23. Test cellular coverage in the turbine hall for each carrier likely used by the crew; metal roofs and concrete walls often kill signal. Identify a nearby outdoor spot with reliable signal.
24. Photograph the full route: approach road, gate, parking, walk to turbine hall, control room, exterior cooling-tower view, fallback positions. This becomes the production schedule annex.
25. Log the location's most production-critical attribute. For this site: "If only one piece of equipment can be brought, it is the lighting kit — natural light alone may be insufficient for the planned interview composition."

*Site-specific additions*

26. Confirm whether asbestos surveys for the building have been completed and the production has access to the report. Some decommissioned coal plants have residual asbestos in lagging and ceiling tiles.
27. Confirm whether any drone work is anticipated; if yes, check the airspace classification, any nearby airport approach paths, and obtain CAA / FAA approval well in advance of the shoot day.
28. Confirm whether the cooling tower interiors are accessible; if so, the structural risk assessment must explicitly cover them. If not, plan exterior-only framing for tower shots.

---

**Next Step:** Schedule the site visit at the same hour as the intended shoot call this week, with the DP, sound recordist, and director attending. Bring a light meter, tape measure, smartphone for ambient-sound recording, and a camera for the framing reference set. Before the visit, request the asbestos survey and existing risk assessment from property management in writing — these are the gating documents for crew entry and must be in hand before any filming day is locked.

## Known Limitations
- This brief covers standard documentary production scenarios. Specialist filming contexts — live emergency services sites, courtrooms, operating mines, or internationally controlled territories — require additional permissions and risk frameworks not covered here.
- Permissions timelines vary widely. Government or institutional sites may require weeks of approval; private property can sometimes be cleared in days. The brief cannot advise on specific timelines, which the line producer must research for each jurisdiction.
- This skill does not generate a formal location agreement or risk assessment — both are legal documents that require production company input and, in some cases, legal review.

## Related Skills
- [production-schedule-writer](../production-schedule-writer/SKILL.md)
- [archival-footage-brief](../archival-footage-brief/SKILL.md)
- [subject-research-brief](../subject-research-brief/SKILL.md)