--- name: rights-clearance-checklist description: "Generates a comprehensive rights clearance checklist for a media project, covering music, archive footage, interview releases, third-party IP, and location permissions — tailored to the project's format and content." status: stable category: media-business subcategory: legal version: 1.0 eval_score: 4.4 tags: [media-business, legal, rights, clearance, music, archive, production] --- # Rights Clearance Checklist ## What This Skill Does Generates a comprehensive rights clearance checklist for a media project, covering music, archive footage, interview releases, third-party IP, and location permissions — tailored to the project's format and content. ## When To Use This Skill - You are entering post-production on a documentary or film and need to audit everything that requires clearance - A broadcaster or distributor has requested a rights clearance report before signing a deal - You are a first-time producer who wants to make sure nothing has been missed before delivery - You are conducting a legal review of an existing project before distribution ## What You Need To Provide **Required:** Project title and format (documentary, drama, short, podcast, etc.), a description of the types of content the project contains (talking heads, archive footage, music, on-camera brands/logos, locations, etc.), the intended distribution (broadcast, streaming, festival, podcast platforms). **Optional:** Specific items you know require clearance (e.g., named archive provider, specific piece of music), territory of distribution, any clearances already obtained, any items you believe are in the public domain. ## How the Assistant Approaches This 1. Identifies all categories of rights that apply to the project based on the content description — music (sync and master), archive footage, talent releases, location releases, third-party IP (logos, brands, artworks visible on screen), and any special categories (news footage, AI-generated content, crowd scenes) 2. For each category, generates a specific checklist of items to be cleared, documents to obtain, rights holders to contact, and common mistakes to avoid 3. Flags any high-risk items (e.g., music with complex ownership, famous faces in crowd footage, footage from contested archives) and recommends specialist legal review where the risk is material 4. Closes with a "Next Step" note: which HIGH RISK item to address first and whether to contact an entertainment lawyer before beginning clearance on that item, and whether release-form-writer or licensing-brief-writer should be run for specific items still not started ## Output Format Structured checklist by category, with a summary table at the top listing all categories and a status column (completed, in progress, not started). Each category section contains: what requires clearance, what documents are needed, who to contact, and any specific risk notes. Length varies with project complexity — typically 600–900 words. Uses checkboxes and tables for easy tracking. Includes a note on items that require entertainment lawyer review, not just standard clearance. Output ends with a "Next Step" note: which HIGH RISK item to tackle first, whether legal review is needed immediately, and whether to run release-form-writer or licensing-brief-writer for specific items. ## Quality Criteria - [ ] All relevant clearance categories are identified based on the content description — nothing generically omitted - [ ] Each category specifies the actual document or licence type needed (e.g., sync licence + master licence for music, not just "music clearance") - [ ] High-risk items are flagged explicitly with a risk note, not buried in the general list - [ ] The checklist distinguishes between clearances the producer can handle directly and those requiring legal counsel - [ ] Distribution territory and platform type are reflected in the clearance requirements (e.g., streaming adds different requirements than theatrical only) - [ ] Output includes at least one concrete next action the user can take immediately (start the highest-risk clearance, contact a lawyer for high-risk items, or run release-form-writer or licensing-brief-writer) ## Example ### Input Project: The Collector — a feature documentary about a man who spent 30 years amassing a private collection of vintage advertising posters. The film includes: talking head interviews with the subject and his family; archive footage from a national film institute; clips from 1950s–1970s advertising films visible on a projection screen during filming; original music composed for the film; a brief sequence with a famous pop song playing on a radio; archive photographs from a commercial photo agency; exterior shots at a historic building (public access); a scene in the subject's home with branded items visible on shelves. Distribution: Theatrical + streaming (global), broadcast (European) Clearances obtained so far: Talent releases for all interviewees signed. ### Output ## Rights Clearance Checklist — THE COLLECTOR ### Summary Status Table | Category | Items | Status | |---|---|---| | Talent releases | All interviewees | Completed | | Archive footage — film institute | 1 archive provider | In progress | | Advertising film clips | Multiple rights holders (unknown) | Not started — HIGH RISK | | Commissioned music | Original score | Not started | | Third-party music — synchronisation | 1 pop song | Not started — HIGH RISK | | Archive photographs | 1 commercial agency | Not started | | Location release | Historic building exterior | Not started | | Third-party IP — brands/logos | Multiple products visible | Not started | | Public domain assessment | Advertising films, photographs | Not started | --- ### Talent Releases - [x] Written release forms signed by all interview subjects - [ ] Confirm releases cover global theatrical + streaming + broadcast — check the scope of the releases already signed. If they were signed for "documentary use," confirm with your lawyer that this covers all intended distribution platforms. - [ ] If any subject is a minor: parental or guardian consent required in addition to their own release. --- ### Archive Footage — National Film Institute - [ ] Licence agreement specifying: territory (global), platforms (theatrical, streaming, broadcast), duration (in perpetuity or fixed term), usage type (documentary context) - [ ] Confirm the institute holds all rights or can confirm they are not liable for underlying rights (music in archive footage can require separate clearance) - [ ] Obtain a written representation from the institute about the rights status of music in any archive clips used --- ### Advertising Film Clips — HIGH RISK The advertising films visible on-screen during filming are derived works — they contain original footage, music, voiceover, and potentially third-party IP. **Specialist legal advice required before these clips are included in the final edit.** - [ ] Identify the original advertiser/brand for each clip - [ ] Identify the production company that produced each clip - [ ] Determine rights status: are these in the public domain? (Copyright law varies significantly by jurisdiction and date of production — do not assume public domain without legal advice) - [ ] If rights holders identifiable: obtain a licence for each clip covering all distribution territories and platforms - [ ] Consider whether these clips can be reframed (shown on the projection screen in a way that makes them incidental, not featured) — this may affect the clearance requirement --- ### Commissioned Music - [ ] Written agreement with composer covering: ownership of master recording (producer should own or licence the master), right to use the music in all distribution formats and territories, moral rights waiver (UK and EU requirement) - [ ] Confirm MCPS/performing rights registration is handled and that no third-party samples are embedded in the score --- ### Third-Party Music — Pop Song — HIGH RISK A pop song "playing on a radio" is not automatically exempt from clearance. **Two separate licences are required:** - [ ] Sync licence: from the music publisher (covers the underlying composition/song) - [ ] Master licence: from the record label (covers the specific recording) - [ ] Determine if this is fair use/fair dealing in your jurisdiction — this is a legal determination, not a production decision - [ ] If the song is prominent or identifiable: assume clearance is required and budget accordingly. Pop song licences for global streaming can be expensive. --- ### Archive Photographs — Commercial Agency - [ ] Confirm the agency's licence covers: editorial documentary use, all intended distribution platforms, all territories - [ ] Request a representation that the agency owns or controls the rights they are licensing --- ### Location Release — Historic Building Exterior - [ ] Obtain written location release from the building owner or management authority - [ ] Check whether the building's exterior is protected by architectural copyright in your jurisdiction (relevant for some post-war buildings in Europe) --- ### Third-Party IP — Branded Products Visible on Shelves In most jurisdictions, incidental appearance of branded products in documentary footage does not require clearance. However: - [ ] Confirm products are genuinely incidental (not featured or mentioned by name in commentary) - [ ] If any branded item is discussed, described, or held up to camera: seek legal advice on whether a product placement disclosure or clearance is required --- ### Recommended Legal Review Items The following items require review by an entertainment lawyer before the project is delivered: 1. Advertising film clips — copyright status and clearance strategy 2. Pop song clearance — confirm fair dealing/fair use assessment and obtain licences 3. Review of talent releases for global streaming/broadcast scope ## Known Limitations - This checklist covers the most common clearance categories for documentary production. Highly unusual content (classified documents, AI-generated content featuring real people, historical news footage from conflict zones) may have additional clearance requirements not covered here. - Copyright law varies significantly by jurisdiction. Public domain determinations and fair dealing/fair use assessments are legal conclusions that must be made by a qualified entertainment lawyer in the relevant territory — this checklist cannot make those determinations. - This skill generates a clearance framework; it does not complete the clearances. Every item marked "Not started" remains the producer's responsibility to resolve. ## Related Skills - [licensing-brief-writer](../licensing-brief-writer/SKILL.md) - [release-form-writer](../release-form-writer/SKILL.md) - [press-release-writer](../../../pr-communications/press-office/press-release-writer/SKILL.md)